LANGUAGES OF INNOVATION: WHERE AI MEETS CREATIVITY
Instructional goals
The course aims at enriching perspectives on the analysis of cultural and social phenomena,
encouraging the integration of humanities theories and methodologies into the background of
the social sciences, pushing to overcome the stereotype of an unbridgeable divide.
Generative Artificial Intelligence (GAI) is sweeping the current socio- cultural scenario in an
overwhelming way, transforming business models, influencing political agendas and, more
generally, reconfiguring creative processes and content fruition modes.
In the face of these epochal changes, the course aims to provide students with a critical and
multidisciplinary vision that can highlight the limits and potentials of the use of these innovative
technologies by brands and organizations, using an approach that integrates theory with real
cases.
In order to analyze and deconstruct the languages of innovation, evaluating their social and
cultural impact, methodological tools developed by semiotics will be provided, which are
fundamental for understanding the socio-cultural implications in the strategic decisions of
brands and organizations.
The course aims at putting research and different learning modalities at the center of its agenda.
For this reason, frontal lectures will be complemented by discussions, group projects and actual
workshops in which students will be able to measure themselves with the creation of content
through AI.
Intended learning outcomes
Knowledge and Understanding
The course aims, by providing a rigorous semiotic methodology in dialogue with cultural
branding, to strengthen critical thinking about innovation at play in contemporary times and the
paradoxes that characterize it, exploring the fruitful intersections between different mutually
influencing dimensions: Languages, Culture, Consumption, Politics, Technology.
Applying Knowledge and Understanding
Skills will be achieved through lectures, case studies, exercises.
Students will be able to:
- understand the evolution of meanings and languages from a cultural perspective
- understanding the persuasive power of political and brand narratives
- analyze the creative dimension of the advertising message, the rhetorical and
performative use of written text, images and sounds - analyze the efficacy of messages
using the semiotic method, which allows different textual forms to be de-constructed
- acquire knowledge regarding the prospects and limits of AI for creating content
Making Judgements
Students are expected to acquire basic tools for evaluate the level of originality and
effectiveness of persuasive communications.
Communication Skills
The course will allow students to acquire an appropriate lexicon for the analysis of
communication. The exercises and project case will allow students to strengthen the
communication skills (both written and visual) necessary to interact effectively with different
stakeholders.
Course Contents
The cornerstones of the course are the notions of:
- Creativity, invention, innovation. The impact of generative AI on content production
- Methods and models of semiotic analysis
- Narration and narrativity
- Cultural evolution and cultural branding
Reference Books
Reference Books / Materials
Mandatory for attendant students:
- Ruiz Collantes FX, Oliva M. "Narrativity approaches to branding". In: Rossolatos G, editor.
Handbook of brand semiotics. Kassel: Kassel University Press; 2015, p. 89-150
- Floridi L., 2023. AI as Agency Without Intelligence: on ChatGPT, Large Language Models,
and Other Generative Models, Philosophy & Technology
- Holt, D. B., (2004). How brands become icons: The principles of cultural branding.
Harvard Business Press (Introduction, Chapter 1 and Chapter 5)
- Adamo, G. (2024). Social Acceptance and Generative AI Brands. The Case of OpenAI. E|C,
(41), 337-350
- Peverini, P. (2025). Artificial Intelligence’s meaning production between branding rhetoric
and new hybrids, Ocula, Vol. 26, n. 33, 89-109.
Additional (mandatory) for non-attending students:
- Holt, D. B., (2004). How brands become icons: The principles of cultural branding.
Harvard Business Press (Chapter 2 and Chapter 3)
Optional:
- Oswald, L (2015). Creating Value, Chapter 1. Oxford University Press.
Teaching Methods
Lectures; discussions; group projects
Assessment Method
Attendance
Attendance will be monitored through five roll calls, conducted during randomly selected
classes throughout the semester. Students who are absent from more than two roll calls will be
automatically classified as non-attendant students.
Please note that attendance status determines the applicable assessment method.
Attending Students
- Group Work: 40% final grade
- Midterm exam: 30% (1 open-ended question + 5 multiple-choice questions)
- Final Written Exam: 30% (2 open-ended questions)
Non-Attending Students
- Final Written Exam: 100% final grade (3 open-ended questions + 10 multiple-choice
questions on the mandatory program).
Thesis assignment criteria
The minimum grade is 27/30
Week 1
- Course overview, with focus on objectives, assessment methods,
deadlines, and study materials
- What is creativity? A theoretical framework on the notion of creativity
from humanities and semiotics
- Apple genealogy analysis
Study Material: slides
Week 2
Deconstructing strategic creativity with semiotics.
- What is semiotics? Overviews of the discipline in terms of theory and
methodology
- Greimasian structuralist approach
- Narrativity and storytelling strategy
Study Material: Ruiz Collantes FX, Oliva M (2015)
Week 3
- Enunciation: who is enunciating in the case of AI?
- Encyclopedia
Study Material: Ruiz Collantes FX, Oliva M (2015) and slides
Week 4
- Veridiction
- On-campus laboratory
Study Material: Ruiz Collantes FX, Oliva M (2015) and slides
Week 5
- AI Workshop on prompting mechanisms
- Introduction to Cultural Branding (D. Holt)
- Principles of cultural branding and cultural tensions
Study Material: Holt, D. B., (2004). How brands become icons: The principles
of cultural branding. Harvard business press (Introduction).
Week 6
- The notions of cultural and political authority
- The genealogy of Coca-Cola: from soft drink company to pioneer in AI
advertising
Study Material: Holt, D. B., (2004). How brands become icons: The principles
of cultural branding. Harvard business press (Chapter 1 and Chapter 5)
Week 7
- Midterm Exam
- Project Work introduction
Week 8
- Smart objects and antropomorphisation (Floridi)
- Lecture from Lucia Lafuenti, Corporate Communication Director at
Fater
Study Material: Floridi L., 2023. AI as Agency Without Intelligence: on ChatGPT,
Large Language Models, and Other Generative Models, Philosophy &
Technology and slides
Week 9
- AI and AI brand discourses
- Focus from Open AI to Gemini via Heinz and Coca-Cola
- Cases of success and failure
Study Material:
- Adamo, G. (2024). Social Acceptance and Generative AI Brands. The
Case of OpenAI. E|C, (41), 337-350
- Peverini, P. (2025). Artificial Intelligence’s meaning production between
branding rethoric and new hybrids, Ocula, Vol.26, n.33, 89-109.
Week 10
- Laboratory: on-campus feedback
Study Material: slides
Week 11
- AI & Biases
- The implication of biases for brands using AI
- Lecture from Lucia Lafuenti, Corporate Communication Director at
Fater
Study Material: slides
Week 12
- AI & Social Media
- AI Filters and TikTok
- The phenomenon of AI influencers
Study Material: slides