INTEGRATED MARKETING COMMUNICATION
Paolo Peverini, Stella Romagnoli, Ludovica Serafini, JACOPO MARIA CONTI, Lucia Lafuenti, Fabio Rodighiero
Instructional goals
Communication has always created value for people, businesses and organizations. In recent years, it has evolved enormously, thanks to technological development, becoming more and more complex to manage.
Knowing how to communicate today means not only to find the right message, but also to choose the right channels (those that maximize the effectiveness and efficiency of your resource), as well as crafting a consistent storytelling across them to promote your brand.
This course will teach you exactly this: how to set up a compelling communication strategy able to both convince the recipient and make the best out of the available resources.
Follow this course to learn how to develop realistic and actionable marketing communication plans, following the most recent theories and methodologies. You will also learn the basic components of storytelling and how to use it effectively in a branding perspective
Whether you want to become a successful entrepreneur or work in the marketing department of a multinational company, knowing how to set up a communication plan is essential for the success of any bran, nowadays.
The course adopts a problem-based learning approach of this course, therefore you will be given the opportunity to apply theories and models to real brands and companies in order to develop realistic and actionable communication plans.
Prerequisites
None.
Intended learning outcomes
Knowledge and understanding:
The course offers advanced theoretical and methodological tools necessary to understand the concepts, strategies and means necessary to design and implement a coherent and integrated marketing communication campaign.
By the end of the course, students will know.:
•The appropriate terminology to define marketing communication activities
•How does the marketing communication planning process work;
•The characteristics of the different channels (Paid, Owned and Earned media) to plan effective and efficient communication campaigns;
•How to make the message effective, taking into account the different touchpoints on which an integrated marketing communication plan is structured;
Deepen the relationship between culture, brand heritage and consumer behavior
•The role that languages in a multimodal perspective play in marketing communication of organizations, both in traditional media and in the context of social networks. Particular attention will be paid to the different modalities and articulations that the investigation on languages can assume with reference to the marketing implications (Semiotics of marketing and business communication);
How to apply the research process of marketing semiotics to analyze brand equity and develop an effective content strategy
•Where to find the information to set up a communication budget.
Applying knowledge and understanding:
Upon completing the study program, students will be able to:
•Set up a marketing communication strategy;
•Define the communication objectives to achieve the business objectives;
•Select the appropriate media for an effective marketing communication plan;
•Use basic semiotic tools to analyze branding processes and evaluate the quality of creative ideas in relation to communication objectives
Use marketing semiotics to support marketing communication actions taken by brands
•Set up a communication budget request document.
Making judgements:
Upon completing the study program, students will be able to:
•Effectively research, collect and interpret data for the purpose of planning an effective communication marketing campaign.
•Furthermore, students will develop a critical spirit to observe the role of marketing communication not only from the consumer perspective but also from the perspective of corporate reputation management. In order to encourage critical thinking, comparative analyzes of marketing communication campaigns and their impact on corporate reputation will be proposed.
•They must also be able to understand if one media is more effective or efficient than another in the context of a communication strategy and if a communication plan is professionally set up.
Communications Skills:
Upon completing the study program, students will be able to:
•Effectively communicate the result of research, data collection and content production in a clear, complete but concise way, using the most appropriate terminology. In particular, they will strengthen the skills necessary to produce comprehensive and effective analytical reports and presentations.
Learning skills:
Upon completing the study program, students will
•Acquire the analytical and creative skills necessary to evaluate and manage integrated marketing communication processes, also in a multicultural perspective
•Be able to orient themselves in the macro-sector of media planning, know where to find information and choose the most useful data sources for carrying out their work,
•Have a knowledge base that can easily allow them to update in a highly strategic and innovative sector.
Course Contents
Course topics:
From Marketing Mix to Communications Mix;
Integrated marketing Communication planning process;
How to define a communication target group;
Communication objectives;
Costumer journey and touchpoints;
Paid, Owned and Earned Media: main characteristics;
Key media planning metrics (online and offline);
The media planning process;
How to measure marketing communication effectiveness;
How to define a communication budget;
Advertising;
The notions of sign, symbol, text;
Metaphor and metonimy;
The notion of narrativity
Marketing Semiotics;
Cultural branding;
Reference Books
Slides, materials and research papers will be listed and made available on the e-learning platform.
Recommended readings are as follows:
Pelsmacker P. De; Geuens M., Van den Bergh J. (2017) Marketing Communications: A European Perspective, Prentice Hall; 6th Edition (chapt. 1; 4; 5; 7; 13).
Keller K.L., Bathra R. (2016). Integrating Marketing Communications: New Findings, New Lessons, and New Ideas. Journal of Marketing: AMA/MSI Special Issue Vol. 80: p. 122–145;
Katz, H. (2016). The media handbook: A complete guide to advertising media selection, planning, research, and buying. Routledge.
Oswald L. (2012) Marketing semiotics. Signs, strategies, and Brand Value, Oxford University Press (Introduction and ch. 1; 3)
Holt, D. (2004) How Brands Become Icons: The Principles of Cultural Branding (ch. 2, 5, 9)
Holt, D. (2020) Cultural Innovation. The secret to building breakthrough businesses, Harvard Business Review.
Teaching Methods
The study material will be organized as Asynchronous, Synchronous, Individual Study and Research-Based Project material.
In particular, the following will be the main teaching methods students will confront with:
Mix synchronous and asynchronous
TA consultations
In-group assignments
Individual exercises
Case Studies
Research papers
Textbooks
Project Work
Assessment Method
Assessment Methods
The verification of student's learning takes place in integrated and complementary ways, and it will include different kinds of activities based on the status chosen by students (attendant/non attendant).
Assessment Methods - Attendant students
Continuous assessment (42%)
The continuous assessment includes a series of activities, some of them to be performed on a weekly basis. Among the assignments, you'll be asked to perform:
Syllabus quiz (2%): to be performed once
Mock up exam questions (9%): to be performed on a weekly basis, individually
Interactive interviews Assessments (5%): to be performed three times along the semester
Advancing with the Project Work (9%): to be performed four times along the semester
From Theory to Action (9%): to be performed in the second part of the semester
Students' attendance will be recorded in two different occasions:
Attendance to the TA session (4%): to be recorded during the 6 mandatory sessions (during odd weeks)
Attendance to the synchronous sessions (4%): to be recorded each week during the synchronous session
Project work presentation (30%)
During the semester, students will engage in a challenging project work with Eataly. After the conclusion of the semester (week 12), students will be asked to present their project work to the employer. This session will take place during Week 15.
Final exam (20%)
Students will assessed through an online exam, made up of:
15 Multiple choice questions
2 Open ended, case-based questions
These questions will look like the mock exam questions students will be assessed with throughout the semester.
Poster session (10%)
During the summer session, students will be asked to present to the audience in Luiss University the results of their project work through a poster session. This will take place in June.
Assessment Methods - Non-attendant students
Final exam (100%)
Students will assessed through an online exam, made up of:
15 Multiple choice questions
3 Open ended, case-based questions
Attendance Policy
The student is offered with the option to follow the course as attendant or non-attendant, impacting the the criteria on which the final mark will be determined. The list of all attendant and non-attendant students will be collected at the beginning of the course.
About attendant students:
Attendant students have their final mark as the sum of various learning activities they will take part to, as mentioned in this page.
The reference textbooks mentioned above in this page are only suggested readings, except for eventual papers explicitly requested during the weeks.
Attendance to the synchronous sessions is mandatory as is the participation to the asynchronous activities. Only in case of serious justifiable personal matters students can put forward a request of exemption to the Program Directors. The request must be granted by the Program Directors at the beginning of the semester and will be valid for all courses in that session. Program Directors and the Faculty will define an alternative assessment modality for such exceptional cases.
About non-attendant students:
Non-attendant students have their final mark 100% determined by the in-person written Final Exam + Syllabus Quiz.
All of the reference textbooks and papers mentioned above in this page are mandatory and will be object of evaluation.
Attendance to the synchronous sessions is not mandatory.
Thesis assignment criteria
Active attendance at the course;
Quality of the proposed issue for the thesis;
Rigorous thesis project and focus on qualitative methodology.
Does the syllabus cover sustainability topics?
Yes.
Week 1 Contenuto sessioni on line e on campus
Week 1 - Marketing Communications: Definition and Planning Process
Asynchronous session
Difference between Marketing and Marketing Communication
Importance of IMC to business practices
IMC planning process steps
Synchronous session
Syllabus presentation
Project work briefing
Focus on IMC planning 1° step (Situation Analysis)
E-tivities
Curated exercises:
x1 weekly quiz about original & curated contents
Autonomous study:
x1 Individual research + PPT/PDF presentation on Vision, Mission, Values and Brand Purpose of the Project Work's brand
Related Material
Original videos by S. Romagnoli
Curated video: introduction to IMC (K.-L. Keller)
Curated article Article: (Rajeev Batra & Kevin Lane Keller): Integrating Marketing Communications: New Findings, New Lessons, and New Ideas from page 1 to 3 up to “ Consumer Decision Journey or Path to Purchase”
Week 2 Contenuto sessioni on line e on campus
Week 2 - Competitors Analysis, Targeting and Communication objectives
Asynchronous session
Competitors & comparables analysis
How to define target groups for online campaigns (Interactive Interview)
Synchronous session
Kahoot formative assessment
How to define a communication target group
Exercise on targeting with Meta for Business
Marketing communication objectives and the DAGMAR model
Project Work presentation by Eataly’s team
E-tivities
Curated exercises:
x1 weekly quiz about original contents
x1 knowledge assessment quiz on Interactive Interview
Autonomous study:
x1 Individual research + PPT/PDF presentation on competitors and comparables of the Project Work's brand
Related Material
Original video by S. Romagnoli
Original Interactive Interview by Deloitte Consulting
Marketing Communications. A European Perspective, P. De Pelsmacker, M. Geuens and J. Van Den Bergh - 6th edition, Pearson 2017 – chapt. 4.
Week 3 Contenuto sessioni on line e on campus
Week 3 - Brand Choreography, Buyer Personas and Customer Journey
Asynchronous session
Introducing the Brand Choreography methodology
Defining what are Buyer Personas
Understanding how to define a Customer Journey
Exploring and defining Brand Positioning (Interactive Interview)
Synchronous session
Kahoot formative assessment
Focus and examples on BVP, buyer personas, customer journey and communication touchpoints
Exercise on creating a buyer persona, customer journey and POE media
E-tivities
Curated exercises:
x1 weekly quiz about original contents
x1 knowledge assessment quiz on Interactive Interview
Autonomous study:
x1 Individual research + PPT/PDF presentation on targeting, buyer persona and Customer Journey of the Project Work's brand
TA session
Group work & discussion on the previous 2 weeks' individual researches for the Project Work
Related Material
Original videos by S. Romagnoli
Original Interactive Interview by Interbrand
Curated article Article: (Rajeev Batra & Kevin Lane Keller): Integrating Marketing Communications: New Findings, New Lessons, and New Ideas from page 1 to 3 up to “ Consumer Decision Journey or Path to Purchase”
Week 4 Contenuto sessioni on line e on campus
Week 4 - Media POE and key metrics
Asynchronous session
Introducing POE media main characteristics
Deepening Owned and Earned media
Focus on Content Strategy for Owned media
Synchronous session
Kahoot formative assessment
Explaining key metrics for offline and online media
Examples on class using Mentimeter and Kahoot
E-tivities
Curated exercises:
x1 weekly quiz about original contents
Autonomous study:
x1 Individual research + PPT/PDF presentation on choosing and how to use and activate Owned and Earned media for the Project Work's brand
Related Material
Original videos by S. Romagnoli
Katz, H. (2016). The media handbook: A complete guide to advertising media selection, planning, research, and buying. Routledge chapt. 7.
Week 5 Contenuto sessioni on line e on campus
Week 5 - Advertising online and media planning process
Asynchronous session
Overview on Paid media, both ATL and BTL
Introducing the basics of Influencer Marketing
Introduction to internet ADV and programmatic buying
Synchronous session
Kahoot formative asessment
Native Advertising, focusing on Google, You Tube and social media
Interactive explanation of media planning process, using Mentimeter
E-tivities
Curated exercises:
x1 weekly quiz about original contents
Autonomous study:
x1 Individual research + PPT/PDF presentation on choosing Paid Media (ATL and BTL) and the right Influencers for the Project Work's brand
TA session
Group work & discussion on the previous 2 weeks' individual researches for the Project Work
Related Material
Original videos by S. Romagnoli
Curated Video on Real Time Bidding by IAB
Marketing Communications. A European Perspective, P. De Pelsmacker, M. Geuens and J. Van Den Bergh - 6th edition, Pearson 2017 – chapt. 7
Katz, H. (2016). The media handbook: A complete guide to advertising media selection, planning, research, and buying. Routledge chapt. 4.
Week 6 Contenuto sessioni on line e on campus
Week 6 - Budgeting and measuring campaign effectiveness
Asynchronous session
Introducing the 3 main kinds of advertising & communication research
How to define budget for a campaign (Interactive Interview)
Synchronous session
Kahoot formative assessment
Empirical methods to define communication budget and calendar
Exercising online with Mentimeter
E-tivities
Curated exercises:
x1 weekly quiz about original contents
x1 knowledge assessment quiz on Interactive Interview
Autonomous study:
x1 Individual research + PPT/PDF presentation on preparing the calendar of the overall media strategy with KPIs for the Project Work's brand
Related Material
Original videos by S. Romagnoli)
Original Interactive Interview by British American Tobacco
Marketing Communications. A European Perspective, P. De Pelsmacker, M. Geuens and J. Van Den Bergh - 6th edition, Pearson 2017 – chapt. 13 and 4 (p. 168-174).
Katz, H. (2016). The media handbook: A complete guide to advertising media selection, planning, research, and buying. Routledge chapt. 8.
Week 7 Contenuto sessioni on line e on campus
Week 7 - Advertising & Creativity
Asynchronous lesson
Creativity as a “violation of expectations”, types of advertising, creative platforms
Advertising appeals: rational vs. emotional
New advertising formats, advertising in B2B context
Advertising in a cross-cultural environment
Strong vs. weak theory in advertising
Effective vs irritation-generating campaigns
Let’s give voice to the experts! | Kevin Lane Keller and the 7Ps model
Let’s give voice to the experts! | Lucia Lafuenti (Saatchi & Saatchi): How advertising agencies work
Synchronous lesson
Mentimeter formative assessment on the content of the asynchronous session
Review of relevant examples of advertising linked to the theoretical background so far presented and that stand out for relevance and novelty
Non-graded group activity: “Advertising appeals in action”
Discussion of the in-class group activity
TA session
Feedback on the assigned individual assessment (see below E-tivities)
Advertising tips & tricks for the Project Lab (Paid media and Influencer Marketing)
E-tivities
Individual exercises:
x 1 assessment mock-up exam to be completed by assigned deadline
In-Group assignment:
x 1 assignment “From theory to action”: Basics of advertising (to be completed by assigned deadline)
Individual study
Textbook: (Pelsmacker P.) Marketing Communications: A European Perspective, ch.5
Week 8 Contenuto sessioni on line e on campus
Week 8 - Semiotics in the world of goods
Asynchronous lesson
Introduction to Marketing Semiotics: the notion of sign, synchrony and diachrony, the structure of myth, metaphor and metonymy. Practical applications in brand analysis.
Curated video: Apple “1984” commercial for the SuperBowl 1984. Reflection on the key takeaways to be applied to the project work.
Let’s give voice to the visionaries! | Speech on marketing by Steve Jobs
Synchronous lesson
Mentimeter formative assessment on the basics of advertising
Discussion of the individual assignment and debrief session
Deconstruction and analysis of advertising rhetoric with the review of Nike’s case “This is not a running shoe”
Introduce the marketing semiotics’ research process with a case: “Baby’s Best” diapers
TA session
Non mandatory office hour.
E-tivities
Individual assignment:
x 1 assessment “From theory to action”: Apple as an iconic brand (to be completed by assigned deadline)
x 1 assessment mock-up exam to be completed by assigned deadline
Textbook:
(Oswald L.) Marketing semiotics. Signs, strategies, and Brand Value, Intro & ch. 1
(Non-mandatory deep dive) Handbook of brand semiotics – basics
Week 9 Contenuto sessioni on line e on campus
Week 9 - The Consumer Brandscape
Asynchronous lesson
Mining the Consumer Brandscape: introduction to the methodology
Understanding the link between the Consumer Brandscape methodology and marketing semiotics: semiotic analysis can play a strategic role in the planning process to align the brand with the movement of meanings associated with the product category
Mining the Consumer Brandscape: the phases of the methodology
Curated content: Kodak and the perils of category leadership (infographic)
Curated video: Bloomberg Quicktake Originals - “The rise and fall. and rise of Kodak!".
Synchronous lesson
Review and recap of the key points about codes, with the analysis of codes in the fashion system
Review of the “Blue Cross” ’ case, analyzing the key take-aways of the consumer brandscape and the phases of the methodology exploited by Laura Oswald’s research team.
TA session
TAs will review the steps of the methodology introduced by Professor Peverini: “Blue Cross” health insurance company
TAs will review the case of the SUV category as presented by the author
E-tivities
Individual assignment:
x 1 assessment mock-up exam to be completed by assigned deadline
In-Group assignment:
x 1 assignment “From theory to action”: the perks of being a leader (to be completed by assigned deadline).
Textbook:
(Oswald L.) Marketing semiotics. Signs, strategies, and Brand Value, Ch. 3
Week 10 Contenuto sessioni on line e on campus
Week 10 - Narrativity approaches to branding
Asynchronous lesson
Introduction to the key theoretical concepts and to the fundamentals of narrativity approaches to branding, as stressed by the authors of the paper by Ruiz-Collantes and Oliva
Differences between narratology and storytelling and narratology as a field of study
From narrative to narrativity: the semiotic approach
Curated content: the advertising technical breakdown sheet as a methodological instrument for the de-composition of advertisements
Synchronous lesson
Mentimeter formative assessment on the Consumer Brandscape model
Discussion of the individual assignment and debrief session
Review and recap of the key theoretical concepts addressed by Ruiz Collantes and Oliva in the paper
The Brand Identity System as developed by Andrea Semprini (1992)
TA session
Non mandatory office hour.
E-tivities
Individual assignment:
x 1 assessment “From theory to action”: Learning how to detect the underlying story behind advertisements (to be completed by assigned deadline)
x 1 assessment mock-up exam to be completed by assigned deadline
Paper:
Collantes, F. X. R., & Oliva, M. (2023). Narrativity approaches to branding. Advances in Brand Semiotics & Discourse Analysis, 49, p. 89 - 150
Week 11 Contenuto sessioni on line e on campus
Week 11 - From traditional branding models to Cultural Branding
Asynchronous lesson
Differences between traditional branding models (i.e., “mind-share branding model”, “emotional branding model”, “viral branding model”) and the cultural branding model proposed by Douglas Holt
The importance of being culturally relevant: cultural and political authority
Let’s give voice to the experts! | Dr. Fabio Rodighiero (Alkemy): cultural branding as a relationship between brands, culture and society.
Synchronous lesson
Feedback on the assigned individual assessment (see below E-tivities)
Recap of the concepts of Cultural and Political Authority linking them to the Budweiser genealogy as presented by Douglas Holt.
Review of the campaigns by iconic brands as Corona, Coca-Cola and Snapple, linking them to the dismantling of traditional branding models
Group exercise (non-graded): brands genealogy
TA session
TAs will recap of the main take-aways of the paper by Ruiz-Collantes and Oliva.
TAs will cover the topic of de-construction of advertising by selecting and reviewing with you, step by step, the decoupage of some food advertisements
Group exercise to be performed during the TA session: applying the Brand Identity System (Semprini, 1992) to food advertisement.
E-tivities
Individual assignment:
x 1 assessment mock-up exam to be completed by assigned deadline
x 1 assignment “From theory to action”: Reflective essay (to be completed by assigned deadline)
Textbook
Holt, D. B. (2004). How brands become icons: The principles of cultural branding. harvard business press, Ch. 2, 5.
Week 12 Contenuto sessioni on line e on campus
Week 12 - Cultural Innovation
Asynchronous lesson
Branding as Cultural Activism: four kinds of brand knowledge
Synchronous lesson
Mentimeter formative assessment on Douglas Holt’s manual (Ch. 2 and 5)
Review and recap of the key theoretical concepts addressed by Douglas Holt regarding the topic of cultural activism
“Cultural innovation”, review of:
the most important phases of the process of building breakthrough businesses exploiting cultural innovation;
the mousetraps in which, potentially, established brands can fall into when relying on their reputation and financial power.
TA session
Non mandatory office hour.
E-tivities
Individual assignment:
x 1 assessment mock-up exam to be completed by assigned deadline
In-Group assignment:
x 1 assignment “Advancing with the project work”: mousetraps for Eataly? (to be completed by assigned deadline).
Textbook:
Holt, D. B. (2004). How brands become icons: The principles of cultural branding. harvard business press, Ch. 2, 5.
Paper:
Holt, D. B. (2020). "Cultural Innovation: the secret to building breakthrough businesses". Harvard Business Review